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The Young Man leaves to turn himself in to the police. Cobb had recently discovered a murdered woman's body during one of his burglaries, and is attempting to deflect suspicion from himself by making it appear as though multiple burglars share his MO. Upon returning to his flat, he finds that the photos are innocuous modeling shots.Ĭonfronting the blonde, the Young Man learns that she and Cobb have been working together to manipulate him into mimicking Cobb's burglary methods. The Young Man bludgeons the man with a claw hammer and flees with the Bald Guy's money and photos. The Young Man breaks into the Bald Guy's safe, but is caught in the act by an unidentified man.

Soon, the blonde confides that the Bald Guy is blackmailing her with incriminating photographs. The blonde turns out to be the girlfriend of a small-time gangster (known only as the 'Bald Guy') whom she broke up with after he murdered a man in her flat. The young man assumes the name 'Daniel Lloyd' based on the credit card Cobb gives to him and begins to pursue a relationship with a blonde woman whose flat he and Cobb burglarized. At Cobb's suggestion, he alters his appearance, cutting his hair short and wearing a dark suit. He attempts break-ins of his own, as Cobb encourages and guides him. The young man is thrilled by Cobb's lifestyle. He sums up his attitude thus: 'You take it away, and show them what they had.' He explains that his true passion is using the shock of robbery and violation of property to make his victims re-examine their lives. The material gains from these crimes seem to be of secondary importance to Cobb, who takes pleasure in rifling through the personal items in his targets' flats, and doing things such as drinking their wine.

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Cobb reveals that he is a serial burglar and invites The Young Man to accompany him on various burglaries. The man in the suit, having noticed he is being followed, quickly confronts the Young Man and introduces himself as 'Cobb'. Initially, he sets strict rules for himself regarding whom he should follow and for how long, but soon discards them as he focuses on a well-groomed, handsome man in a dark suit. The film has an unusual, non-linear plot structure which has been a feature in several of Nolan's films.Ī struggling, unemployed young writer (credited as 'The Young Man') takes to following strangers around the streets of London, ostensibly to find inspiration for his first novel. Apart from providing the script and direction, Nolan also did the photography, editing and production himself.

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Without expensive professional lighting equipment, Nolan mostly used available light. His debut film, it was designed to be as inexpensive as possible to make: scenes were heavily rehearsed so that just one or two takes were needed, thus economising on 16 mm film stock, the production's greatest expense, and for which Nolan was paying from his salary. It tells the story of a young man who follows strangers around the streets of London and is drawn into a criminal underworld when he fails to keep his distance. Followingġ2 September 1998 ( Toronto International Film Festival)įollowing is a 1998 British neo-noir film written and directed by Christopher Nolan.

For other uses, see Following (disambiguation).